Well, today I am happy to say that my Major Work number 2 is finished! With one week to spare! All I have to do now is present my work! Yippee! So without further ado, here is is for everyone to see.
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FSL Digitized Chrismas Bell
This was my first attempt at stitching out this design. The red was interconnecting well and I was hopeful. When the gold border started happening I knew it wasn't going to hold together well. The outside edge didn't even connect with the red center. So I let it finish stitching, and before I washed it out, I manually stitched another row of zig-zag so it would connect the outer border & the red center together. It overlapped on my screen so the only thing I think could cause this to happen is "pull compensation" or the WSF was not tight enough in the hoop. I thought I had the WSF drum tight so I must look into pull compensation. Something else I need to learn about.
Back to the drawing board to fix up the file. I then stitched out a second one but in different thread. The design stitched out well.
Now to the wash out test. The red bell shrunk heaps and the gold one only stightly. As they were both stitched on the same WSF I can only conclude that the thread played a part. The file was only changed slightly to bring the border in closer, so I don't think that played any more part other than to have the border connect to the body of the bell, which was the problem in this red one.
I've now printed out a template which I will use when I block them. It should help keep the shape more true to what I want.
Machine Drawn Thread
Saturday was a huge lot of fun. Some friends & I had arranged to meet at my house & have a sewing day. Two of us wanted to explore the world of machine drawn thread work.
I thought I would be well prepared and had a design all ready. I had chosen fabric delibrately with a huge slubby thread that would be easy to pull out. The end result was going to be a book cover and I wanted the design to sit a certain way. I carefully machined around the outline & set about withdrawing the threads. Traditional drawn thread work is 90% preparation & 10% stitching. Well................ this was 99.9999999999999999% preparation & 2 seconds of machining fun! So much for the book cover! I got one little section of my design done & it instantly became a UFO to be changed into machined cutwork!
Back to the drawing board! I cut another piece of fabric & just pulled the threads out right across the width. This still took some time & was still far more preparation than stitching!
The fabric was huge slubby threads one way & little soft fluffy ones the other. It was the little soft fluffy ones that I got to stitch over. I set the machine on the widest zig-zag & off I went! Those fluffy little threads got eaten up by the zig-zag big time! I had only to move the work slightly sideways & more would get eaten up!
Now the big question.................................would I do it again? Who knows! It definately has creative possibilities but experimentation is definately the key. After seeing my friend R's piece it is obvious that different fabrics will react different ways. I would have to know what I was going to end up with .
As for the day, it was a lot of fun. Lots of laughs, caring, sharing, cups of tea, lamingtons & home made bikkys . Gee, almost forgot the rocky road! Add some creativity and what more could I ask for? Hopefully this may become a regular activity!
Today I had a little play with Mountmellick Stitch. One of my Thursday students brought in a project that she wanted to make. It uses all kinds of stitches but she was stumped on Palestrina knots & Mountmellick stitch.
I was fine with the Palestrina Knots but had to search for Mountmellick stitch. It was a stitch I had not done before. It did give her instructions in the magazine that the project was in, but as usual they were not very clear. My good friend Miss Stitcharoo came to my help with some better instructions.
I played first with a hand dyed perle 12 thread, & went very quickly from very wide to much narrower. I then changed to another hand dyed perle 8 thread which worked much better.
It is a great textural effect & I think I could use this heaps in my work.
The fabric is pictured here, bought on a day out with the girls in Cabramatta. For those of you who don't know, Cabramatta is the Vietnamese quarter of our fair city & is just great for shopping for fabric. The food alone is worth the visit!
Enough time playing with blogs, back to work.
Over the last few weeks I have been trying to design my second major work for my course. In the process these samples were worked.
I wanted to have a grid that changed in size to make it more interesting but as soon as I withdew the threads I knew it wasn't what I wanted. I worked the grid anyway, having some fun along the way. In the process I have gone back to another sample worked earlier in the year and this is now hopefully going to be the basis of my piece, just worked in a different direction.
The little samples were of stitches I wanted to put on my grid but that is all out the window now. Still, I know how to do them now & they will be in my folder for future reference.
Later today I intend to wind my threads ready to hit the dye pot. They need to soak in water a bit first so if I wind today, I can dye tomorrow after I come home from work.