A Drawn Thread Needle Case - UFO Number 5

Another UFO finished! Actually, this one has been finished since February.

This little needle case started life way back in 2007 as a resist dye sample for my 'Summer Santuary' piece. Some drawn thread stitching and a hem of buttonhole stitch had been worked onto the sample, then it waited over 10 years before I found it again, stuffed in a cupboard, in a clean-up. 

 All that was required to finish it was some lining, some Dr's flannel, and a closure. 

So UFO number five is done and dusted. I wonder what's next?

A New Needlecase

Back in January 2017 I was enticed to join and on-line group called 'A Year In Stitches'. The idea of the group was to encourage people to stitch every day. Do I need encouragement to stitch every day? Definitely not, I have been stitching every day for most of my life.

I really didn't need to start anything new, but I did. Everyone in the group appeared to be doing surface stitching of some kind. Well, I am a counted thread/lace kind of person, so I looked in my fabric stash and found a piece of linen that I had bought at a Christmas function with my local stitching group. It was a light pink/mauve colour and had in the packet with it a skein of Waterlilies silk floss that blended. All I needed now was a needle and I could start. But what to do?

My passion is drawn thread work, and for a long time now I had wanted to try some coloured needle weaving. So I began creating the sides of a drawn channel with a 4 sided stitch, using the lovely silk thread that was in with the fabric.

OK, channel edged and drawn, I needed to find some Perle threads that blended to needle weave with. That was easy, I have plenty of left over balls of Perle threads, so enter the blue, pink, and cream.  The coloured needle weaving was fun, and I found it much more practical to run three needles. So much easier than threading & re-threading needles all the time.

The piece grew over time. I added fine borders  that I found in one of my books, decided what to do with corners, and added a black work pattern. With the black work pattern I blended different colours with the silk floss that made it blend in with the needle weaving that  I had done. All the while I kept thinking 'what am I going to do with the piece?'

The piece went on hold while other things took over. Then last year at Stitcher's Plus, we were setting challenges for ourselves for this year. My challenge was to finish some UFO's. So behold, my fist UFO for this year is finished! I have turned my piece into a needle case. I finished the black work stitching, hemmed it with a four sided stitch hem, added some lining and Doctors flannel, then a closure of toggle and loop. There is a hand made twisted cord for the spine with a bottom tassel just to finish it off.

So one UFO done, hopefully nine more will happen over the remainder of the year.

A Filet Dragonfly

Behold my filet dragonfly! I am very proud of him as he is my own. Drawn on paper, transferred to a graph, then worked onto my own hand made mesh.

The mesh is made by drawing two threads, leaving two threads, in a pattern, both vertical and horrizontal. The remaining threads are then whipped together for strength. Making  this mesh takes time.

Using my dragonfly graph, I then worked out a weaving plan for linen stitch. This weaving plan has to be precise, as one incorrect turn of the needle, or one skipped over or under, will throw the rhythm of the linen stitch out.

Watch this space as there will be more filet to come.

A Sampler Continues

This sampler began way back in late 2006 when I joined in on a round robin with an on-line stitching  group that I belong to. I have blogged about the beginnings, the trials, the fixes, & the additions before if you would all like to read the back story.

I have decided that 2015, (8 years since the beginning!) will be the year to finish this sampler and turn it into the carry bag that it was designed for. So I have pulled it out and am very slowly working on it.

Last year I added another very narrow band of needle-weaving. I had been working another sampler featuring needle-weaving borders, and thought I could work one on here. The ones that I had been working on the other sampler were a little wide to work in the space I had, so I just narrowed it down. I have worked it here in the same  hand dyed green that I used in my hardanger band.

Further up the sampler is my hardanger band, sitting alongside the gorgeous seahorses that were stitched by Margaret. I feel the two bands sitting side by side are a little heavy, and there is still quite a bit of white fabric between, so my aim is to fill the white space. I have always felt that the triangular spaces left by my hardanger needed to be filled, but with what? A spur of the moment decision led me to eyelets, so I added them in pink. Still a little heavy so I have started outlining them in green to help soften them. I will wait until I work them on the other side before I make a decision to add anything else. My mind is playing with ideas, including a very narrow straight band of some kind between my eyelets and Margaret's seahorses, and maybe something else light between the eyelets. Ideas from outside in the blogging world are welcome. Watch this space!

Coral Calypso - an Exhibition

A week ago, my local embroidery group held an exhibition. We only hold one once every five years so that there can be enough work to show off a really fabulous display. I personally had 10 pieces in this one, the most I have had in any exhibition I have been involved in. So here I will show you the ten, some you have seen before, some not, and some you have seen in progress.

Piece 1 - The above white table mat featuring reticella, measuring approx 50cm x 36cm, this piece is my pride & joy. It took five years from conception to completion, including designing, sampling and one failed attempt where at the last minute I changed the design, and didn't think it through before starting to stitch. The consequence was my reticella design wouln't fit the space. You can read about that story here and see the result here. Then there was the twelve months that the piece sat there waiting for me to cut into it. After one failed attempt already, I was scared it would happen again, even with all the extra counting & thread marking I did this time around. Luckilly all that counting paid off & the design worked, to the point that I am extremely proud of the end result.

Piece 2 - Is an experiment in combining pulled and drawn work as well as in design. I had come across a book showing how to create and use mandalas in patchwork, & thought I may be able to use the same concept as a base for some drawn work. The piece of fabric was a scrap that I had aquired from somewhere, and there was not much room for sampling stitches, that is if I wanted the end result to be square. The square also presented a problem with designing, as I found six sided shapes didn't sit well, they needed to be four sided. So I played with a drawing program I have, overlaid a number of four pointed star shapes, then set about eliminating lines until I was happy with the resultant design. Then came the fun of stitching. Pulled work is not something that I have done much of, so the stitching had to be simple. Satin stitch, eyelets & four sided stitch, it is amazing the effects these three simple stitches can have when combined together, used in differnt counts, or used where some threads have been removed. Over all I am happy with the result.

Piece 3 - This little bag is also a combination of pulled & drawn work. It bagan as a holiday project, one where I threw a piece of fabric, some threads, and mabe a book or two for inspiration, into a bag & see what I could come up with. As soon as I started stitching, I realized the fabric was open to pulled work, but I had only brought drawn books with me, so I started on drawn work which kept me busy for my holiday. The pulled work background came later, and the lining & twisted cord came two days before it had to be handed in for exhibiting. Nothing like leaving things to the last minute. Am I happy with it? Mmmmm,......... it's cute and functional and I intend to use it as a little work bag.

Well, the above pieces were all new, the rest have been seen here before, but I will show you them again anyway.

Piece 4 - A cream table mat also started when on another holiday.

Piece 5- My first piece of reticella, which has now been in a few different exhibitions. Might be time to retire this piece, even if I am still very proud of it.

Piece 6 - My Seahorse Sanctuary, which took pride of place by the front door. A piece of creative drawn thread work done a few years back for a course.

Piece 7- My first full piece of Tenneriffe lace. This piece was designed for, and given to a special friend for a special birthday. I so want to do another piece, one for me to keep. A slightly differnt design though.

Pieces 8 & 9 - Bookmarks, both of which are a form of drawn work. The one on the lft is filet, while the one on the right is an all over filling, something that I want to play more with.

Piece 10 - A bobbin lace fish that went to Japan for an OIDFA dispaly. A huge challenge for me to work as he is double sided

For those of you that made it to the exhibition, I hope you enjoyed what you saw. For those of you that didn't, you missed some stunning pieces, so I hope you enjoyed seeing what I had displayed. Anyone see a common theme happening here in my work?



Special Book Marks For Special People

Back in late February & early March I made some bookmarks to say thankyou to some special people. It was a spur of the moment decision to make them, and as I was going away for a few weeks R & R, I packed some of my own hand dyed linen, what I thought was some co-ordinating threads to stitch with, & just one book for inspiration. They have all been recieved now so I can show you all what I did.

This was the first one, and I started by buttonholing the edge first, no counting. Then I decided I had better count what threads I had to work out what would fit in. The book I had taken with me was Gay Eaton's "Wessex Stitchery", so I found a motif that I liked, worked out placement & started stitching. I could fit three motifs in the space, but they needed something to link them together, so the back stitch borders were born. There are three in all, one is in a fine gold thread which is not really clear in this pic.

The second one I made was this pink one. After having fun trying to fit patterns in the last one by not counting the edge, I decided to count fours on this one, that way I would be able to fit in lots. Mmmmmm............. So the buttonhole stitch edge was first, and all the while it screamed "drawn thead " at me, so the satin stitch & eyelets were born. The coral knot channels were first, then the needlewoven center channel. It was fun, because by the time I got to working the center channel, I had decided I wanted to mix up colours & patterns, & this is where my counting by fours didn't work, hence the dominant three needle woven bars in the center. In retrospect, I wish I had of placed this section one block lower, it would have made it more interesting. Maybe next time. The back stitching in burgandy was an after thought to bring out the burgandy backing.

Finally we have bookmark number three. This one was born following a day with my creative stitching friends. On the day, one of our members had us closely looking at pieces of work with a list of questions. I had picked out one piece from across the room which I thought was a piece of counted thread work, but on closer inspection found to be smocking. The patterns were interesting, so from across the room I drew in my sketchbook the patterns that I saw. It was these sketches that I tried to interpret into this bookmark, but they didn't quite work. All that did was the yellow line. So the yellow line got repeated, stitches added in between, & thread colours changed as I felt, usually when they ran out in the needle. The extra yellow lines were added to give balance.

So the bookmarks have all been recieved, & I had some creative fun. They are all original

one-0fs that I am proud of & I know the recipients are enjoying.

My New Book

The latest edition to my library. It's in Italian, but who needs to read when the diagrams & photos are so clear? Watch this space!

How many Eyelets?

At long last I can show my table mat, finally finished. It began as something small to take away on holidays last year and grew and changed lots. At first I decided on the border, then the hem. I wanted to do another type of picot hem but didn't have enough fabric so settled on a buttonholed hem. Then when everything was finished it looked to plain so I added the bullion picots. This is the first time I have ever added them to a piece of work and I think they just finished it off nicely. This was also the piece that was supposed to feature some filet work in the center, but instead has a considerable number of eyelets.

Just a closer look at the corner.

Filet Bookmark

This is the second sample of filet that I worked on the side of my table mat. I showed you the first sample here. This one had a different drawn count than the first one, so leaving slightly larger holes. I've also worked a linen stitch into this one in a pattern that I adapted from Pauline Knight's book "The Technique of Filet Lace". There were no instructions of how to work it, I had to work that out for my self, and it certainly got my brain working!

In retrospect, the linen stitch would probably sit better if I had worked it on smaller holes, but that after all is what samples are for. Something to put in my notes for future reference, and in the meantime I have another bookmark to use.

A Bookmark Sample

When I had the idea of working some filet on the inside of my table mat, I first played with some samples along the side of my piece of fabric. The above book mark is one of those samples & I deliberately made it bookmark size so that it could be useful.

This one is worked by first creating a mesh, withdrawing threads in two directions, then whipping over them to make them strong. As I wanted a special hem finish around the edge, I very laboriously wove all the ends back in to give solid fabric again along the edge. I then worked the filling stitch & finally the hem. Just for the moment I can't place my hand on the reference I used for the filling stitch, but there is one very similar in Moyra McNeil's book "Drawn Thread Embroidery".

A very pretty, useful sample.

Filet

Well, the cream table mat that I mentioned in my last post is finished, well almost. All the stitching is done, & it just needs to be blocked & cut from the remainder of the linen. So you will all have to be patient to see pics.

One of the ideas that I had for this piece was to work some filet in the center. I set myself a challenge way back in November 2007 to try the technique & did so here & here. Filet can be produced a few different ways. It can be crocheted , made with pre-made purchased nets, or on nets made by ones own hands. Adriana over on her blog has shown us some of her stunning examples here, in which the netting is made with a needle & thread, sort of like a fishing net. A different type of net can be made by withdrawing threads from fabric, like in the photo above.

I have tried filet crochet, & working on pre-purchased nets. The crocheting is easy, the purchased nets upset my hands & give me dermatitis, so working on meshes made from withdrawing fabric is my next mission, and was to be included in my cream table mat. However, after working the above sample, I decided that the filet would not suit the border that I had stitched, so scrapped that plan & looked for another filling. That still left me with this sample that I had to find a design to fit the space. It needs to be stitched before I can block my cream table mat as the sample is on the edge of the fabric.

So on Saturday I went searching for a design that would fit. I have graphed it out, & spent hours on the stitching order ( which has to be worked out first). Finally yesterday I got to stitch my little design, ( a practice on my pre-purchased mesh), hours of planning for 5 minutes of stitching! Oh well, I put it all down to practice & the planning maybe won't take so long next time. There should be pics of my practice piece soon & then I will work on the fabric mesh above. All have to be done before I can block my cream table mat.

An Exhibition

Those people who know me well know that I belong to a few different textile inspired groups, one of which is called "Stitcher's Plus". We are a group of creative minded stitchers, and have been meeting & stitching together for over ten years now. Recently, we put together a collection of our works into an exhibition. Below are the pieces that I had in this exhibition.

First up is a book cover. This was the piece of Reticella that I worked for our tenth anniversary calendar. The piece has been sitting for quite some time waiting to be made up into a finished piece. I needed a book cover, so a book cover it has become, & how fitting that it should be a cover for my lace journal.
Next is a piece of Teneriffe Lace that I inserted into a handkerchief. Inspired by pictures of teneriffe lace that I have seen on the internet, I have been playing with different designs using the technique. This was one design that I found, & had to work out the method by myself as there were no instructions. Not my design, but definately my stitching, and was great fun using the brain to work it all out. It was relativley easy once I thought about for a few minutes.

Piece three is my first piece of Reticella which I showed you all here. This piece has been in two other exhibitions, and will probably go in at least another one or two. I am extremely proud of this piece.

Piece four,"A Summer Sanctuary", has also been exhibited twice before. The challenge proceses involved can be read here.
Next is a bag that I made from a challenge we were handed invoving faces. The face has been created using applique & FME, then pieced into the front of the bag.

The back of the bag has been pieced using the Flying Geese pattern & the whole bag has been machine quilted. This face has become my internet face & anyone who knows me personally will tell you I look nothing like this. A bag I use a lot.


Then there was my scarf. Made with a daisy wheel using a fancy knitting yarn, then crocheted together. Very slinky & warm.

Finally, my "Bugs In Boxes". These were another challenge & both consist of a painted canvas backgrounds which have been threaded with various yarns . Both also consist of couched yarns for the tree branches & leaves made from hand dyed fabric that has been FME'd with a metalic thread. The caterpillars in the top one are stuffed rouleau tubes featuring surface stitching, while the butterfly on the second one has been digitized & stitched onto water soluble fabric.



The exhibition is now closed, but for some more pics please visit our Stitchers Plus pages.

A Drawn Thread Challenge

Ive been playing with some more drawn thread work. This is just a snippet of a current piece. It started as a personal holiday challenge and is growing slowly. As I was packing to go away last December, I found the bag with this piece of hand dyed linen & threads inside so threw it into my sewing tin as well. The challenge to myself was to see what I could create with no reference books. So it is another work in progress, and now that I am back home with access to my own library, as well as others, it will be interesting to see how this piece grows. It has already taken on a life of it's own.

A Fabric Challenge

Back before Christmas, I was packing my stitching bag to go away on holiday. I had already packed some stitching , but thought it might be fun to add in a piece of fabric & threads to see what I could create without planning. So I went searching for a piece I knew I already had sorted complete with threads. I didn't find the piece I was looking for, but instead found the above piece of mauve linen, & yes there were threads packed in that little bag as well. OK, maybe not quite what I had in mind but the purpose was still the same, create something with given threads, no reference books & use only the knowledge I had in my head. The above pic is just a snippet of what came about. The interesting part was the discovery of what the fabric could do, the fact that it was very open & would suit Pulled Work beautifully. My knowledge of Pulled Work is very limited ( something that I intend to change in the near future), so I had to settle with my knowledge of Drawn Thread Work. Now I am back home, my Pulled Work books have come out & now I have a definate idea of what this fabric piece will end up like.

SS Band Sampler

I have finished stitching the last sampler of the Stitching Sister Counted Thread Band Sampler Round Robin.

This sampler is for Margaret, who has stitched the up/down tulip design at the top. For my band at the bottom, I tried to keep the flow of pink & green that seemed to be happening. I played with designs on graph paper first then decided the colour. The stitching started with two rows of 4 sided stitch, with 6 threads removed between the rows. I then needleweaved the remaining threads to keep them strong. Above the 4 sided stitch I worked groups of radiating straight stitches, while below is a row of large eyelets which have been outlined in back stitch. The top row was then mirrored below the eyelets.

I feel a little sad now that this is all over. I love stitching counted thread work of all types and this RR has been an excuse to venture out with colour & stitch combinations.

Mandy's Band Sampler

I have finished stitching on another sampler. This one is for Mandy and is part of the Counted thread Round Robin that I am participating in for the Stitching Sisters on-line group that I belong to.

Here is the sampler when it first arrived back in January. Before it arrived, I had thought that I would do some blackwork on it. But when it actually arrived in the flesh, I felt that a blackwork pattern would not quite work at the stage that the sampler was in. So I had to put my thinking cap on & let the sampler talk to me for a little while. The first thing it said to me was colour. There were lots of colours happening already and I needed to work something that would bring all the colours together. So I went through my stash of threads and picked out those that I thought would work in some way, shape or form. I then let my needle go where it felt like going.

In the end I worked eleven smaller rows of stitching, which in the end formed into two bands, one wide & one narrow. The rows were worked as follows:-

1. A row of four sided stitch in yellow ( a colour I only occasionally work in )

2. A row of four sided stitch in green, leaving four threads between the previous row & this one.

3. Removing the four threads left between the rows of four sided stitch & wrapping the remaining threads in an orange hand dyed Perle 12.

4. A row of alternating half eyelets in another green, with the gaps filled in with a third green.

5. A row of alternating half eyelets in the same green as before, with no gaps filled in.

6. A mirror immage of row 5.

7. A mirror immage of row 4.

8. A repeat of row 2.

9. A repeat of row 1.

10. A repeat of row 3.

11. A simple row of a blackwork pattern which I alternately flipped vertically. This row was worked in a deep pink to match work previously done in the sampler.

I think the colours that I have chosen have worked and I hope that Mandy loves what I have done. I know I certainly enjoyed working this sampler & could have continued working on it to the end. Unfortunately this is not how a RR works, but I am now enthused to start a sampler of my own, to work on how I want & how my mood takes me.

Below is a close-up of part of my band. It is amazing what close-up pics show, and no, it is not a mistake, just a loose thread that needs snipping (whew!). For some reason Blogger is playing nasty games & turning things sideways.

More Bookmarks

I have finished off two more bookmarks over the last few days. They didn't take much as the stitching was already done & they just needed some backing. Both started off being samples for this piece, which I worked for the Stitchers Plus Group that I belong to. I just turned the samples into something usefull!

Counted Thread Experimentation

I have been slowly working on a band for the Counted Thread Band Sampler Round Robin that I am in. This is Mandy's sampler & before this sampler first arrived, I had ideas as to what I was going to do, then when it arrived I felt that what I had planned would not fit in well. It took me a while to get started & I am just letting the sampler tell me what it needs. The first thing was colour, somehow I needed to bring all the colours together. So I searched my threads and pulled out all the colours that were already in the sampler, then made a decision as to which ones I would use. I settled on a yellow, a hand dyed orange, and some greens. I felt these colours whould not only work together in a band, but help to reflect the colours already present elsewhere in the sampler. I haven't finished yet, I still need to work more eyelets, and then I think the band will tell me it still needs something else. Time will tell. I'll post a pic of the whole thing when my section is finished.

More Drawn Thread Fillers

I've finished another two of my drawn thread fillers. The first two can be found here. This one is a variation of the pink one from before, hoping I have made it a little stronger. The second one is something on the slightly creative side to find out how things would look if I changed the numbers of the threads that I cut. Mmmmm............. possibilities are going through my brain. All four designs are still not cut from fabric. They are all waiting patiently to be made into something.

Calendar Piece - "Past Horizons"

Over the last 12 months, my creative stitching group, "Stitchers Plus" , has been working hard to produce a calendar to celebrate our 10th birthday. As it is has now officially been published, and many are now hanging on walls around the world, I thought I would show my contribution.

The piece is called "Past Horizons", and is worked using my own hand dyed fabrics & threads. It was rather a challenge to produce, as the fabric was a dressmaking linen, not an even weave linen. I noticed this as soon as I started counting, and noticed that one side of counting was longer than the other. This got me thinking that it was going to elongate my design too much. So ? What did that matter? It was after all a creative piece. As soon as I started to cut & remove threads, the weft threads started to stretch, another problem that had to be solved, otherwise all my wrapping & needleweaving would be wobbly.

The design is original & has been interpreted from a sketch that I did some years ago of a beach, headland & surf club.

To check out all the calendar, visit here .